Tag: Photography

This Isn’t The End Of Printed Photos, It’s The Golden Age

As a society, we now produce more photographs than ever before, and the total number is becoming difficult to fathom. This year, it is estimated that billions of humans armed with smartphones will take some 1.2 trillion pictures.

Many of them will be shared on social media, but many more will simply be forgotten. A few good selfies will flash before your eyes as you swipe left or right on them, late some Friday night.

But hardly any will make the transition into the physical world, bits becoming blots of ink that coalesce into an image on a piece of paper, canvas, wood, or metal — a print.

The reasons for this are rational, and there’s no point fighting progress, but nor should we ignore the value of a print. We may no longer print every photo by default, but this can actually be a good thing for printing.

It is now about quality rather than quantity, and the pictures we choose to print deserve the best treatment.

Honestly, there has never been a better time to print than now, thanks to technological advances in both digital cameras and inkjet printers.

If you haven’t yet tried your hand at photo printing, you owe it to yourself to do so, even if you’re just a casual photographer.




Print isn’t dead — it’s better than ever

It’s a common refrain in the digital age, and not just in reference to photography. Print is dead, or at least dying, right? In truth, a certain type of print has certainly declined, but this isn’t a tragedy.

Prints used to be the only way we had to view our photos. We’d drop our film off at the drugstore and pick it up 24 hours later not because it was a better system, but because it was all we had.

We tend to romanticize the print, but when printing was the norm, many photos were still lost and forgotten (and some were found again).

Most were destined for photo albums or shoeboxes that would sit around and collect dust until moving day. If fewer were forgotten, it was because fewer were made.

Far fewer, in fact — in 2000, Kodak announced 80 billion pictures had been taken that year.

Sure, that sounds like a lot (it was a new milestone at the time), but for those who think of such large numbers as vague clouds of zeros, consider that 80 billion is still 1.12 trillion shy of 2017’s 1.2 trillion photos.

For the mathematically disinclined, let’s put it another way: Subtracting the total number of photos made in the year 2000 from those made in 2017 would have no effect on the number of shirtless mirror selfies posted by lonely men on Tinder.

With so many photos being taken, it’s no wonder so relatively few are being printed. Every print costs money, after all, so of course people aren’t going to print 1.3 trillion photos.

What’s more, the point of printing (often the point of taking a photo in the first place) was to share your memory with someone else.

Now that we don’t need prints to do that, it makes sense that people are choosing not to spend money on them, especially when electronically sharing images also happens to be much more convenient.

But people still love prints. Even the “low end” of printing is alive and well as instant photography has seen a huge resurgence in recent years.

Polaroid Originals has built an entire brand around it, and Fujifilm Instax cameras and film packs made up six of the top ten best selling photography products on Amazon last holiday season.

Please like, share and tweet this article.

Pass it on: Popular Science

Adobe Has Confirmed That It Will Release A Full-Fat Version Of Photoshop For iPad Next Year

Photoshop is one of the most well known and widely used pieces of software on the planet. And in 2019 it will be coming to iPad.

This will be the first time Adobe has released anything outside the confines of traditional computing platforms. It is also a testament to just how significant Apple’s iOS platform has now become.

Photoshop for iPad will be announced at Adobe’s MAX creativity conference in October, before a release sometime in 2019.




It is NOT A Mobile Version of Software

Mobile versions of Photoshop, Illustrator, and Premiere have been available, in a limited capacity, inside the App Store for a while.

But this Photoshop release will NOT be like these apps; rather, it will be a fully-fledged, complete program that has all the same features as the desktop software.

Adobe embraced the cloud back in 2012 and now, six years later, it is once again looking towards new areas for expansion.

The iPad – most notably the iPad Pro – is a clear path into the hands of millions of new customers.

The iPad Pro is insanely powerful and perfectly suited to Photoshop, so it’s no wonder that Adobe is targeting it with Photoshop.

Why So Long?

Most likely because applications like Photoshop require A LOT of processing power, and iPads have only just started catching up with desktop computing in the last couple of years.

Photoshop For iPad Release Date?

The launch of the software is still 5-6 months away, according to reports.

This means an actual release for Photoshop for iPad could still be 12 months away.

Still, work is now underway, so that’s something.

There’s no word on pricing just yet either, but it’s likely to be in the same ballpark as Photoshop for PC and Mac (meaning it’ll be pricey).

Please like, share and tweet this article.

Pass it on: Popular Science

Kodak Brings Ektachrome Back to Life

Kodak announced Thursday it will bring back its Ektachrome film, better known as color reversal film.

In 2012, Kodak discontinued its line of color reversal films, which stand out for its fine grain, clean colors, sharp tones and contrasts. At the time, Kodak blamed declining demand for such film.

A year later, Kodak divested its film business to Kodak Alaris, the UK-based company behind Ektachrome’s revival.




Over the next 12 months, Kodak Alaris will be remanufacturing the film at Kodak’s factory in Rochester, N.Y., with the revived film available for both motion picture and photography.

Color reversal film is quite complicated as its recipe is concerned,” says Diane Carroll-Yacoby, Kodak’s world wide portfolio manager for motion picture films says.

A tall tale.

It’s very unique and quite different than a black-and-white film or a color negative film.

“We’re in the process right now of procuring the components that are needed for this special film and in addition to that we are setting up a color reversal processing capability again, which we have to have in order to test the film as we manufacture it.

Into the light.

She adds: “It is a complicated project for us to bring it back but because our customers are telling us that they want it, we’re very excited to do this again. It’s kind of a really special time for us.

Please like, share and tweet this article.

Pass it on: Popular Science

Watch The Rocket Launch This Camera Died To Capture

A different, less fiery angle of the rocket launch.

On May 22, NASA photographer Bill Ingalls set up his Canon camera to capture footage of the launch of a SpaceX Falcon 9.

He got the shot, sort of, but not before that very launch ignited a small brush fire that did the poor camera in for good.

Although this martyr of rocket photography has closed its shutter for the very last time, we’re all fortunate enough to be able to see the footage it died to bring us.




As Ingalls mentioned in a NASA feature on the melted camera, this particular setup was actually outside the safety perimeter for the Falcon launch. At a quarter mile away, it was actually the furthest of all six Ingalls had set up.

The flames creeping closer to the camera.

That distance did nothing to save it when a brush fire started in the vicinity, melting the camera’s body but leaving its memory card intact so we could see its last gaze.

The camera is set to be put on display in NASA’s Washington DC headquarters. A fitting resting place for a true hero.

Please like, share and tweet this article.

Pass it on: Popular Science

How To Sell Photos Online: For Both Amateur And Pro Photographers

Making money as a photographer, like a YouTuber or Instagrammer, is all about harnessing that same creativity at the heart of your work and applying it to the monetization of your talents.

It can seem hard to make it when anyone with the newest iPhone can call themselves a “photographer.” But success, for most creators who turn to entrepreneurship, comes down to three things:

  1. Finding your niche.
  2. Building an audience.
  3. Creating several streams of income.

This guide will explore some of the things you should know about selling photos online with resources to help you make your photography-based business a reality.




How to sell photos online: two essential steps

Defining your niche

Every successful photographer has a consistent style or theme that runs through their work. Whether your thing is travel, fashion, cityscapes, nature, food, etc., consistency is key.

People follow other people online to see more of whatever it is that interested them in the first place. People unfollow other people when those expectations aren’t met.

Finding your niche if you want to sell pictures online is typically something you feel your way into as you see which styles and photos resonate with your audience.

Integrate ecommerce into your portfolio

Most photographers have a main portfolio site to showcase their work and let clients hire them.

But by adding ecommerce to it, including the ability to accept payments, you can open several more doors to monetization, like selling courses, physical products, and services.

20 best place to sell photos online

  1. Getty Images
  2. Shutterstock
  3. iStock
  4. 500px
  5. Stocksy
  6. Can Stock Photo
  7. FreeDigitalPhotos.net
  8. Adobe Stock
  9. Fotolia
  10. PhotoDune
  11. Alamy
  12. Twenty20
  13. Depositphotos
  14. Dreamstime
  15. GL Stock Images
  16. EyeEm
  17. Image Vortex
  18. Crestock
  19. 123RF
  20. Foap

Please like, share ans tweet ths article.

Pass it on: Popular Science

Huawei Says Three Cameras Are Better Than One With P20 Pro Smartphone

Huawei’s latest flagship smartphone is the P20 Pro, which has not one, not two, but three cameras on the back.

The new P20, and the larger, more feature-packed P20 Pro, launched at an event in Paris that indicated the Chinese company is looking to match rivals Apple and Samsung and elevate the third-largest smartphone manufacture’s premium efforts.

The P20 has a 5.8in FHD+ LCD while the larger P20 Pro has a 6.1in FHD+ OLED screen, both with a notch at the top similar to Apple’s iPhone X containing a 24-megapixel selfie camera.

They both have a fingerprint scanner on the front but no headphone socket in the bottom.

The P20 and P20 Plus are also available in pink gold or a blue twilight gradient colour finish that resembles pearlescent paint found on some cars – a first, Huawei says, for a glass-backed smartphone.




The P20 has an improved version of Huawei’s Leica dual camera system, which pairs a traditional 12-megapixel colour camera to a 20-megapixel monochrome one, as used on the recent Mate 10 Pro.

But the P20 Pro also has a third 8-megapixel telephoto camera below the first two, producing up to a 5x hybrid zoom – which Huawei says, enables the phone to “see brighter, further, faster and with richer colour”.

When I first heard that Huawei’s new flagship device was going to have three rear-facing cameras I was sceptical,” said Ben Wood, chief of research at CCS Insight.

But it feels like the company has added meaningful features rather than gimmicks, including the five-times telephoto zoom, excellent low light, long exposure performance and crisp black and white pictures the dedicated monochrome lens offers.

Huawei has also improved its built-in AI system for the camera, which recognises objects and scenes, pre-selecting the best of 19 modes for the subject.

Huawei’s AI will also help people straighten photos and zoom in or out to assist with composing group shots.

The company is also pushing its new AI-powered stablisation for both photos and videos, which Huawei says solves the problem of wobbly hands in long-exposure night shots.

Please like, share and tweet this article.

Pass it on: Popular Science

Google Clips: A Smart Camera That Doesn’t Make The Grade

Picture this: you’re hanging out with your kids or pets and they spontaneously do something interesting or cute that you want to capture and preserve.

But by the time you’ve gotten your phone out and its camera opened, the moment has passed and you’ve missed your opportunity to capture it.

That’s the main problem that Google is trying to solve with its new Clips camera, a $249 device available starting today that uses artificial intelligence to automatically capture important moments in your life.

Google says it’s for all of the in-between moments you might miss when your phone or camera isn’t in your hand.




It is meant to capture your toddler’s silly dance or your cat getting lost in an Amazon box without requiring you to take the picture.

The other issue Google is trying to solve with Clips is letting you spend more time interacting with your kids directly, without having a phone or camera separating you, while still getting some photos.

That’s an appealing pitch to both parents and pet owners alike, and if the Clips camera system is able to accomplish its goal, it could be a must-have gadget for them.

But if it fails, then it’s just another gadget that promises to make life easier, but requires more work and maintenance than it’s worth.

The problem for Google Clips is it just doesn’t work that well.

Before we get into how well Clips actually works, I need to discuss what it is and what exactly it’s doing because it really is unlike any camera you’ve used before.

At its core, the Clips camera is a hands-free automatic point-and-shoot camera that’s sort of like a GoPro, but considerably smaller and flatter.

It has a cute, unassuming appearance that is instantly recognizable as a camera, or at least an icon of a camera app on your phone.

Google, aware of how a “camera that automatically takes pictures when it sees you” is likely to be perceived, is clearly trying to make the Clips appear friendly, with its white-and-teal color scheme and obvious camera-like styling.

But of those that I showed the camera to while explaining what it’s supposed to do, “it’s creepy” has been a common reaction.

One thing that I’ve discovered is that people know right away it’s a camera and react to it just like other any camera.

That might mean avoiding its view when they see it, or, like in the case of my three-year-old, walking up to it and smiling or picking it up.

That has made it tough to capture candids, since, for the Clips to really work, it needs to be close to its subject.

Maybe over time, your family would learn to ignore it and those candid shots could happen, but in my couple weeks of testing, my family hasn’t acclimated to its presence.

The Clips’ camera sensor can capture 12-megapixel images at 15 frames per second, which it then saves to its 16GB of internal storage that’s good for about 1,400 seven-second clips.

The battery lasts roughly three hours between charges.

Included with the camera is a silicone case that makes it easy to prop up almost anywhere or, yes, clip it to things. It’s not designed to be a body camera or to be worn.

Instead, it’s meant to be placed in positions where it can capture you in the frame as well.

There are other accessories you can buy, like a case that lets you mount the Clips camera to a tripod for more positioning options, but otherwise, using the Clips camera is as simple as turning it on and putting it where you want it.

Once the camera has captured a bunch of clips, you use the app to browse through them on your phone, edit them down to shorter versions, grab still images, or just save the whole thing to your phone’s storage for sharing and editing later.

The Clips app is supposed to learn based on which clips you save and deem “important” and then prioritize capturing similar clips in the future.

You can also hit a toggle to view “suggested” clips for saving, which is basically what the app thinks you’ll like out of the clips it has captured.

Google’s definitely onto something here. The idea is an admirable first step toward a new kind of camera that doesn’t get between me and my kids. But first steps are tricky — ask any toddler!

Usually, after you take your first step, you fall down. To stand back up, Google Clips needs to justify its price, the hassle of setting it up, and the fiddling between it and my phone.

It needs to reassure me that by trusting it and putting my phone away, I won’t miss anything important, and I won’t be burdened by having to deal with a lot of banal captures.

Otherwise, it’s just another redundant gadget that I have to invest too much time and effort into managing to get too little in return.

That’s a lot to ask of a tiny little camera, and this first version doesn’t quite get there. To live up to it all, Clips needs to be both a better camera and a smarter one.

Please like, share and tweet this article.

Pass it on: Popular Science

Sky Watching Tips And Tricks For Cold Northern Nights

For much of the contiguous United States this winter has been marked by perpetual ice, snow as well as the now infamous polar vortex.

Such conditions might make even the most committed stargazer think twice before venturing outdoors.

Stepping outside to enjoy a view of the constellation Orion, Jupiter or even just the waxing moon these frosty nights takes only a minute or two, but if you plan to stay outside longer, remember that enjoying the starry winter sky requires protection against the cold temperatures.




The best garments are a hooded ski parka and ski pants, both of which are lightweight and provide excellent insulation. And remember your feet.

Two pairs of warm socks in loose-fitting shoes are quite adequate; for protracted observing on bitter-cold nights wear insulated boots.

Reach for the binoculars

In weather like this, one quickly will realize the advantage of using a pair of good binoculars over a telescope.

A person who attempts to set even a so-called “portable” scope up in bitter temperatures or blustery winds might give up even before he or she got started.

But binoculars can be hand-held and will produce some quickly magnified images of celestial objects before rushing back inside to escape the frigidity.

Transparency

In their handy observing guide, “The Stars” (Golden Press, N.Y.), authors Herbert Zim and Robert Baker write that “the sky is never clearer than on cold, sparkling winter nights.

“It is at these times that the fainter stars are seen in great profusion. Then the careful observer can pick out dim borderline stars and nebulae that cannot be seen when the sky is less clear.

What Zim and Baker were referring to is sky transparency, which is always at its best during the winter season. That’s because Earth’s atmosphere is not as hazy because it is less moisture laden.

Cold air has less capacity to hold moisture, therefore the air is drier and thus much clearer as opposed to the summer months when the sky appears hazier.

But this clarity can also come at a price.

Seeing through the twinkles

If you step outside on one of those “cold, sparkling nights” you might notice the stars twinkling vibrantly.

This is referred to as scintillation, and to the casual observer looking skyward, they might think of such a backdrop as the perfect night for an astronomer, but it isn’t.

This is because when looking skyward, skywatchers are trying to see the sky through various layers of a turbulent atmosphere.

Were we to train a telescope on a star, or a bright planet like Mars, what we would end up with is a distorted image that either seems to shake or quiver or simply “boils” to the extent that you really can’t see very much in terms of any detail.

Forecasting sky conditions

If you own a telescope, you don’t need to wait for balmy summer nights to get good views. Usually, a few days after a big storm or frontal passage, the center of a dome of high pressure will build in to bring clear skies and less wind.

And while the sky might not seem quite as “crisp” or “pristine” as it was a few days earlier, the calming effect of less winds will afford you a view of less turbulent and clearer images through your telescope.

More comfortable nights ahead

If you plan on heading out on a cold winter’s night — and if you’re doing it while under a dome of high pressure — the fact that there is less wind means not only potentially good seeing, but also more comfort viewing conditions.

The end of winter is in sight though. The Northern Hemisphere is officially halfway through the winter season and milder, more comfortable nights are within reach.

Please like, share and tweet this article.

Pass it on: Popular Science

 

The Photo Of A Butchered Rhino Wins Top Award

 

A shocking image of environmental crime has been declared the top entry in this year’s Wildlife Photographer of the Year (WPY) competition.

Taken by South African Brent Stirton, the picture shows the slumped form of a black rhino in Hluhluwe Imfolozi Game Reserve.

Poachers killed the animal at night, with a silencer, and then dehorned it.

Stirton took the photo as part of an investigation into the illegal trade in rhino products.

The photographer visited more than 30 such crime scenes in the course of his probe – experiences he said he found depressing.




My first child is going to be born in February; I’m 48. And I think I left it such a long time because I kind of lost faith in a lot of the work we see as photojournalists. You lose faith in humanity to some extent.”

Stirton, who collected his award at a gala dinner at London’s Natural History Museum, believes this particular piece of butchery was probably carried out by local people, but working to order.

The usual practice is to sell the animal’s two horns to a middleman. This individual then smuggles the merchandise out of South Africa, most probably through Mozambique, to China or Vietnam.

In those Asian countries rhino horn has a street value higher than gold or cocaine.

The trade is driven by the misguided belief that horn – the same material as toenails – can cure everything from cancer to kidney stones.

We’re really entering a period of time now where every animal, every wild space, will be accorded value,” the South African said.

And the people who are according that value are not necessarily the people who have the same sentiments [as my fellow photographers]. Somebody has to stand up for the rights of the animals and the wild spaces.

Lewis Blackwell, the chair of judges for WPY, said the rhino image had had a searing impact on his panel.

People may be disgusted, they may be horrified – but it draws you in and you want to know more, you want to know the story behind it. And you can’t escape it; it confronts you with what’s going on in the world,” he said

Please like, share and tweet this article.

Pass it on: New Scientist

 

Take A Look At These Magnificent Portraits Of Insects

Microsculpture is a unique photographic study of insects in mind-blowing magnification that celebrates the wonders of nature and science.

Levon Biss’s photographs capture in breathtaking detail the beauty of the insect world and are printed in large-scale format to provide an unforgettable viewing experience.

Each picture in Microsculpture is created from approximately 8,000 individual photographs.

Segments of the specimen are lit and photographed separately, “stacked” to maintain sharp focus throughout, then combined into a single high-resolution file.

Microsculpture exhibited at the Oxford University Museum of Natural History and Xposure 2016 International Photography Festival in Sharjah, United Arab Emirates.

It has been viewed by over half a million people, and more exhibition plans are in the works.




Branch-backed Treehopper

Cladonota sp. (Hemiptera, Membracidae)

Common Reed Beetle

Donacia vulgaris (Cleoptera, Chrysomelidae)

Jewel Longhorn beetle

Sternomotis sp. (Cleoptera, Cerambycidae)

Mantis Fly

Mantispa sp. (Neuroptera, Mantispidae )

Marion Flightless Moth

Pringleophaga marioni (Lepidoptera, Tineidae)

Amazonian Purple Warrior Scarab

Coprophanaeus lancifer (Cleoptera, Scarabaeidae)

White Short-nosed Weevil

Entiminae sp. (Cleoptera, Curculionidae)

Tiger Beetle

Cicindelinae sp. (Cleoptera, Carabidae)

The entomology collection has significant cultural and historical value, containing the world’s oldest pinned insect specimen and many thousands of insects collected by pioneering Victorian explorers and biologists such as Charles Darwin and Alfred Russell Wallace.

Please like, share and tweet this article.

Pass it on: Popular Science